***Working Processes
This involves a multifaceted process that requires careful planning, organization, and a deep understanding of the artworks and their thematic context. Here are some of the processes that I had a chance to get involved:
Pre-installation
- Research and selection. Conduct extensive research on potential artworks that align with the chosen theme.
- Measurement: Note the dimensions of each artwork will be displayed in the exhibit.
- Input to online database and archives for tracking and inventory purposes.
Left: Measuring the image size (window size) of an etching by Alphonse Legros, dating back to 1874.
Right: Measuring the sheet size (object size) of an etching "Que Pico de Oro!" by Francisco de Goya, dating back to 1799.
Valuation
- Assess the condition of each artwork. Supporting Art Appraiser to determine the value of artworks.
- Conditions report: Prepare a detailed report that includes information on the artist, title, date, medium, dimensions, and condition of the artwork. Document any existing damage or concerns.
Left: Assisting Art Appraiser with the valuation process.
Right: Performing condition report on the etching "Lestryge" by Charles Meryon, dating back to 1853.
Rehousing (Matting and Framing)
Matting
- Measurement: Measure the artwork accurately to determine the size of the mat. The mat should enhance the visual appeal of the artwork without covering any essential details.
- Cutting and Mounting: Cut the mat to the appropriate size and carefully mount the artwork using appropriate archival methods to ensure stability.
- Hinging: Use conservation hinging techniques to attach the artwork to the mat, allowing for expansion and contraction of the paper.
Framing
- Mounting and Sealing: Securely mount the matted artwork within the frame, clean all glazing, ensuring that it is properly sealed to protect against dust and environmental pollutants.
- Frame selection.
- Outfitting frame with security hardware.
Right: Hinging an etching "Circus Night" by Martin Lewis, dating back to 1934.
Walls Preparation
- Inspect the damaged area to assess the extent and type of damage.
- Patch and Fill: Use patching compound or joint compound to fill small holes, cracks, or dents in the wall.
- Sanding: Once the compound is dry, sand the repaired area to achieve a smooth and even surface.
- Painting: Paint the repaired area, extending the paint to blend with the surrounding wall.
Layout and Design. Installation!
- Design the layout of the exhibition space, considering the flow of the narrative and the visual impact of each artwork. Determine the placement of artworks, signage, and any interactive elements.
- Installation!! Work with team to set up the exhibit according to the approved design.
- Ensure proper lighting, levels and security measures are in place.
Left: Hanging an etching "Sur La Plage, A Berneval" by Pierre-Auguste Renoir, dating back to 1892.
Right: Leveling an engraving by Salvatore Rosa, dating back to the 1640s.
Advertising. Develop digital materials if possible.
- Develop visually engaging content (videos, graphics) that showcases artworks can maximize the impact of the exhibit on social media, attract a diverse audience, and create an online presence for the exhibit
The manga is dated back to the Edo period in Japan (from 1603 to 1868); however, we were uncertain about the content inside. By doing research in multiple online resources and databases, I was able to discover the narratives.
Research Findings:
Scene 1 (top right): Empress Jingu, Her Minister Takenochi no Sukune, and an Infant (the Future Emperor Ōjin).
Scene 2 (bottom right): Yoshitsune learning fighting from the Tengu King (Sojobo).
Scene 3 (top left): Yoshitsune and Benkei under Cherry Blossoms.
Scene 4 (bottom left): Nasu no Yoichi shooting the fan at the battle of Dannoura.
As I was so interested by this historical manga. I decided to make it move!
The original piece (above) and the adapted animation (below)
(Animated by: Nhat Nghia Nguyen)
Educational Programs
- Support conducting special events, such as curatorial tour, guest lecture, and class presentation. Engages with those interested in learning more of exhibits.
Discussion about the history of Japanese manga and printmaking.
Deinstallation
- Remove each piece from display and unframe.
- Arrange for packing and courier back to the lender.
- Condition reports after unpacking.
- Re-inventory the frames.
- Patching and repairing walls.
Removing the piece out of the frame.
